IMAGINING MEDIA
ZKM, Karlsruhe, GermanyCurator: Peter Weibel, Bernhard Serexhe
Artists: Heiner Blum, Jean-Louis Boissier, Andreas Brehmer, Sirko Knüpfer, Ludger Brümmer, Günter Christmann, Christina Ciupke, Bruno Cohen, Shane Cooper, Luc Courchesne, Larry Cuba, Robert Darroll, Dennis Del Favero, Frank den Oudsten, Hans Diebner, Sven Sahle, Chris Dodge, Götz Dipper, Peter Eötvös, Ken Feingold, Paulo Ferreira-Lopes, Frank Fietzek, William Forsythe, Masaki Fujihata, Kiyoshi Furukawa, Thomas Gerwin, Matthias Gommel, Marina Gržinić, Aina Šmid, Nik Haffner/Jaroslaw Kapuscinski, Agnes Hegedüs, Jürgen Heiter, Perry Hoberman, Ian Howard, Laszlo Hudacsek, Jon Jost, Elena Kats-Chernin, Dieter Kiessling, Garth Knox/Brian O'Reilly, Michael Krause, Gerd Kührs, Edmund Kuppel, Yannis Kyriakides, Eric Lanz, George Legrady, Bernd Lintermann, Alvin Lucier, Marc Lee, Mesias Maiguashca, Margie Medlin, Michael Naimark, Shigenobu Nakamura, Susan Norrie, Mansaku & Mansai Numora, Garth O'Reilly, Brian Knox, Philip Pockock, Frédéric Post, Sean Reed, robotlab, Miroslaw Rogala, Jill Scott, Jeffrey Shaw, Paul Sermon, Marie Sester, Bill Seaman, Bojidar Spassov, susigames, Bill Viola, Tamás Waliczky, Peter Weibel, Anja Wiese, Stevie Wishart, Mehi Yang, Axel Roch, Christian Ziegler
ZKM, Karlsruhe
Test setup
Imagining Media@ZKM
ZKM | Media Museum, ground floor
For its twentieth anniversary, the ZKM | Center for Media and Art Karlsruhe will present, its best artistic productions in a lavishly planned review beginning on 10 October 2009.
As a digital Bauhaus and media laboratory with artistic and scientific research, productions, and presentations, ZKM Karlsruhe has answered the rapid developments in communication and information technologies and related social transformations since its founding in 1989.
In its research institutes, more than 500 visiting artists from around the world have produced a great number of highly regarded works, which following their presentation in Karlsruhe, have been honored worldwide in biennales, festivals, and exhibitions thereby decisively contributing to shaping the face of media art for two decades. Through the continuous absorption of these works in the ZKM collection, started in the early 1990s by founding director Heinrich Klotz, Karlsruhe now has one of the most important collections of international media art.
What could be more appropriate for the anniversary of the politically and culturally far sighted founding of the ZKM than presenting its highly regarded productions in a major review and accompanying performances. In this way, the exhibition to open in October 2009, »Imagining Media@ZKM« aims at no less than reconstructing the international development of media art based on the best productions from the ZKM.
Whereas the ZKM, as an avant-garde laboratory was able to hand over innovative hardware and software for the professional development of artistic works, at the same time, the survival of the works created by its visiting artists are endangered by precisely this rapid progress. Interactive media works, especially, are affected by rapid changes in data architecture, carrying media, and electronic equipment, as their media quality rests on the perfect meshing of software and hardware at the human-machine interface.
Since compelling technological reasons make it impossible to defer the preservation of media art to future generations, the project »Imagining Media@ZKM« has a two-fold task: for one, the best works from ZKM_Production will be reconstructed and made permanently accessible to a broad public in the exhibition »Imagining Media@ZKM«. For another, the methods that allow us to make these works available for future audiences will be analyzed and specified together with the most highly competent international partners in an international conference held at ZKM in October 2009.
»Imagining Media@ZKM« is the world's first and currently the only art exhibition whose content is available without interruption to mobile devices. Access can be obtained via QR Codes that are found on the signage for each work. The mobile phone's camera records the code, which is decoded by a barcode reader allowing the visitor to call up on their phone, either in the exhibition or while on the move outside of the exhibition, additional information (text, picture, video, sound) on the artists and their works.
The »Imagining Media@ZKM« Online-Community offers visitors the opportunity to communicate with others interested in art, to discuss favorite works, arrange meetings with friends at ZKM events, or simply make new acquaintances.
Concept and Realisation: Axel Heide and Heike Borowski
Exhibited Artwork
10.000 Moving Cities - Same but Different, Real Cubes
Interactive Net-Based Installation10.000 Moving Cities – Same but Different focuses on how places are constantly changing and cities are becoming more and more similar. Places are emerging that could be anywhere in the world without a real local identity. This process is accelerated by technological progress, fast means of transport and communication, and the Internet. Visitors can select any city or place, using a digital more …
MAK Museum of Arts, Vienna
Interface
MMCA National Museum, Seoul