SEND ME AN IMAGE

CO Berlin Foundation, Berlin, Germany
Curator: Kathrin Schönegg
Artists: ABC Artists' Books Cooperative, Adam Broomberg & Oliver Chanarin mit Der Greif, David Campany & Anastasia Samoylova, Fredi Casco, Moyra Davey, Themistokles von Eckenbrecher, Martin Fengel & Jörg Koopmann, Stuart Franklin, Gilbert & George, Dieter Hacker, Tomas van Houtryve, Philippe Kahn, On Kawara, Erik Kessels, Marc Lee, Lynn Hershman Leeson, Mike Mandel, Theresa Martinat, Eva & Franco Mattes, Jonas Meyer & Christin Müller, Peter Miller, Romain Roucoules, Thomas Ruff, Taryn Simon & Aaron Swartz, Andreas Slominski, Clare Strand, Corinne Vionnet
27.03.2021 - 02.09.2021
https://www.co-berlin.org/

Exhibited Artwork


New Media Art Reflects the Coronavirus Pandemic, 24/7 Online

Interactive Net-Based Installation

Corona TV Bot The Corona TV Bot thematises and reflects the Coronavirus Pandemic through social media contributions. On hashtags like Coronavirus and COVID-19, the latest Twitter and YouTube news are interwoven into a wild TV show, 24/7 online. Images, tweets and videos flicker across the screen in real time in this net art project. Time-based resources that combine both worldwide professional more …


Publication

Rubber duck meme as book cover

SEND ME AN IMAGE

Steidl GmbH & Co. OHG (Verlag)
Book, color, 328 pages, 17 x 27 cm
2021
English, German
by Felix Hoffmann und Kathrin Schönegg, CO Berlin Foundation, Berlin, Germany
ISBN 978-3-95829-962-7
https://shop.co-berlin.org/produkt/send-me-an-image/

Photography has always been a social medium shared with others. But why do we communicate with each other using images? And how do the virtual essences that are photographs change our societies? Featuring works by Moyra Davey, Gilbert & George, Theresa Martinat, Thomas Ruff and Clare Strand, among others, Send me an Image. From Postcards to Social Media explores the development of photography from a means of communication in the nineteenth century to its current digital representation online. Its focus lies on the dialogue between traveling images throughout photography’s 150-year history and contemporary artists beginning in the 1970s who work with both traditional and modern photographic techniques, uses and modes of dissemination.

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